4062 - Miniature Microphone for extreme SPL

This mic is similar to the others in this series, but is sensitivity adjusted to match extremely loud sound pressure levels. With the correct power source, the microphone will be able to handle sound pressure levels up to 154 dB before clipping occurs, making it ideal for close-miking drums and brass. The microphone is also the perfect choice for miking in the engine compartment of cars or directly in the exhaust pipes.

The 4062 Miniature Omnidirectional Microphone, Extreme SPL; is available in two colors: black and beige. Each includes a Soft Boost Grid and High Boost Grid for 4060 Series.

Important Note: With the DAD adapter, microphones with a MicroDot connector are compatible with various professional wireless systems.

Alternatively, we also offer an optional connector assembly for your lavalier microphone. Please remember to add the corresponding plug or adapter to your cart, so you can connect and use the microphone right away.

• Locking 3.5 mm Mini-Jack/TRS Plug
  for Sennheiser Evolution Transmitter or Sony UWP Transmitter
• PushPull 3-Pin Connector (Lemo-Compatible)
  for Lectrosonics SSM, Sennheiser SK50/2000, Wisycom or
  digital Transmitters with Additional RF Suppression 
• SMC9-4P Connector Ambient-Custom Variant with Short Plug
  for Sony DWT Transmitter
• TA5F / TA4F / TA3F Connector
  for transmitters from Lectrosonics, Shure, Beyer or AKG
• XLR3M Connector with 48V Phantom Power

Flexible DAD-Adapter System

All of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.

The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality. 

A bit about omnis

An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.